Peter Doran's latest offering for the Torch Theatre is the thought-provoking American drama, 'Of Mice and Men'.
Perfectly cast, John Steinbeck's image-laden language is brought alive by the fine performances which litter the play.
Laurence Allan's solid portrayal of George is particularly worthy. He guides his companion Lennie through a backdrop of empty dreams and missed opportunities with a clear sense of decency. Tim Perrin's playing of Lennie throws out a range of gestures and expressions which colour the sensitive autistic character.
Torch veteran Owen Garmon plays the grizzled, optimistic Candy sympathetically, excelling during the scenes of pathos that unfold.
Richard Nichols' playing of the bully Curley is particularly craven, while Keith Woodason brings to the rational character of Slim a natural calmness which anchors the quieter moments.
Delroy Brown - who plays the Stable-buck Crooks - should also be congratulated for his sympathetic portrayal of the oppressed and shunned black migrant worker reflecting American society of the period. Making her theatrical debut, Cath Prosser shows obvious promise playing the misunderstood and neglected wife. Huw David Thomas and Adam Porter-Smith give fine support.
Peter Doran plays his directorial cards well in building the many tensions within the scenes and establishing the relationships of the characters.
Aided by yet another excellent set by Sean Crowley, and the subtle lighting, designed by Dave Roxburgh, which spills across the stage to mark out the changes of time and mood, this production is in the 'must see' category. James Crisp's atmospheric music - which is performed live throughout - adds to the quality of the piece.
During its run (until Saturday November 1), 'Of Mice and Men' will be watched by over 2,000 pupils in the county and beyond, with accompanying workshops providing further understanding of the text.
This policy of outreach theatre needs to be recognised as young people in Pembrokeshire are well provided for by West Wales' premier theatre company.
DAVE AINSWORTH