Rich and varied work - representing hours of individual endeavour in painting, sculpture, print and collage - will be on view for the whole month of December and continue into the new year until Saturday, January 3.
Andrea Kelland brings characteristically large and luminous blue watercolours and powerful oils of waves, tidal surges and sea spouts.
Sheila Stafford's oils are spaced still-lifes before distant views, in calm, cool colours.
Hilary Bryanston uses a sgraffito technique on multi-coloured oil pastel backgrounds to produce detailed imaginary landscapes and mythical creatures.
Ruth Sargeant's burnt and melted materials are skilfully collaged into pieces evoking mysterious landscapes in the textures of ancient buildings.
Susan Sands brings landscapes, including some local scenes, in acrylic on canvas - strong work on a small scale.
David Jenkins, welcomed back to the gallery after an enforced absence, shows his 'trademark' spattered and layered acrylic paintings in glowing colour.
Michael Hardwick's oils are a small sample of his skilful work - warm-toned still-lifes, cloudscapes, animal studies and landscapes.
David Beattie, when not engraving very fine lines on an etching plate, can be found behind a mask, welding metals to produce sculptures. Here he shows similar subjects in both mediums, the elusive and mystical hare that so beguiles the artist.
Arthur Lewis, having recently judged the Open Art Competition, now shows his own recent work for public view.
The exhibition, which opened on Monday, may be viewed at Art Matters Gallery in South Parade, Tenby (next to the Fire Station) or on the website http://www.artmatters.org.uk">www.artmatters.org.uk. For further information, telephone (01834) 843375 or email [email protected]">[email protected].